In relation to the opening of the Hall of Fame, Phil received the below letter from R.M. Williams: Dear Phil, Thank you kindly for the opportunity to look over your work, I find it very interesting in fact I would go […]
Endorsements
“Philip’s works mostly capture the action and activity on cattle properties – people at work and horses at work – in the north of the state and the Northern Territory. For most of Philip’s works there is a behind-the-scenes material gathering element. He has spent many hours on horseback, aboard small planes, in choppers or 4WD’s in the harsh west and north of the country observing and collecting background information.
Just like hard work on a station, Philip says the painting of bush life is a demanding discipline.
Before completing a painting such as a mustering scene, Philip will go out to the station and where time allows, take part in the muster himself. When he gets back to his studio on the Gold Coast he then transfers the atmosphere to the painting. Philip attributes much of his success in the art world to the setting of high standards and his attention to detail.”– Queensland Country Life
“Contrasts of bush scenes on canvas” Queensland Country Life
“The spirit of the outback, captured by bush artist Philip Richmond added a new dimension of enjoyment to last week’s Toowoomba Royal Show activities. In a special showing sponsored by Queensland Country Life, 37 of Richmond’s works, predominantly oils, were displayed to more than 100 invited guests at The Down Club in Toowoomba. Richmond, based on the Gold Coast, has developed a soft and muted style which interprets the dust the haze and the realism of outback stock work, its wildlife and people – without the hard bright colour which too often robs country art of its authenticity. The theme of Australia and its heritage was amplified by legendary bushman RM (Reg) Williams who officially opened the showing and reminded people in the audience to maintain their links with the land and all it has meant to moulding the Australian character.”
– Queensland Country Life
“Bush work excites Toowoomba Show” Queensland Country Life
Commenting on one of Phil’s paintings, Jock Douglas, then chairman of Queensland Landcare Council said:
“Landcare awareness in the community has reached the point where it is now inspiring art. Titled ‘Herd Bulls and Egret’ the painting contrasts the strength of the herd bulls – representing human dominance of the landscape -with the fragility of egrets in the foreground, representing the environment. He has been inspired by the community’s growing recognition of the complexity and fragility of Australia’s soils, and the resulting impact on the sustainability of rural enterprises. Philip Richmond has dedicated this painting to the spirit of Landcare.”
– Jock Douglas, former Chairman of Queensland Landcare Council
Jock Douglas, former chairman Queensland Landcare Council
With intuitive and entrepreneurial insight, the Santa Gertrudis General Manager, Russell Reed grasped the opportunity to engage unique artistic skills that resulted in the dynamic painting Muster at Lake Nash.
“In recognition of King Ranch era in Australia (1952 – 1989) the Santa Gertrudis Breeders Association and accomplished outback artist Phil Richmond have combined to produce a superb, high-quality limited edition print “Muster At Lake Nash NT”. Please note this is a very exclusive limited edition of only 500 prints signed and numbered by the artist…What better way to procure investment than combined with quality art. ”
– Santa Gertrudis Breeders Association
Santa Gertrudis Breeders Association
“Formed and nurtured in a subtle symphony of colour and light, Philip Richmond’s own intense visions of outback Australia are preserved for all to enjoy in the superb artistry of his paintings. This noted artist of the Australian bush has grasped and shared his boyhood dream. He has followed the drovers and stockmen he once watched go by and finding them reveals their secrets through the magic mirror of his art. The selection of Richmond’s work in this magnificent calendar captures the changing seasonal face of the outback, its moods, its people and its animals. The collection will both thrill those who know this wide brown land, as well as fascinate and intrigue those who want to know it.”
– Malcolm McCosker OAM
Malcolm McCosker OAM